This review appeared on the TimeOut website on 21st
October 2015. It is a review of an upcoming Bond movie called Spectre. The
article was written by TimeOut journalist Tom Huddleston. TimeOut is a popular
entertainment magazine.
Spectre
Time Out says
The 'Skyfall' team of director Sam Mendes and star
Daniel Craig take James Bond for another spin, with messy but enjoyable results
Well,
this certainly feels like a full stop. Daniel Craig has been
slippery and circumspect when asked if ‘Spectre’ will be his final outing as
James Bond. From both the tone and content of ‘Spectre’, we’d guess this could
be his swansong: this is a film that gathers all the great – and some of the
not-so-great – things about the three previous films in the Craig-as-Bond cycle
into one rousing, spectacular, scattershot and somewhat overextended victory
lap. It works – until it doesn’t.
We find
Bond in Mexico City – it’s the Day of the Dead, the perfect excuse for
rampaging masked crowds, unexpected explosions and a swooping, supercharged
helicopter sequence that’ll have you choking on your popcorn. Then it's back to
London for some very bad news: MI6’s Double-0 program is under threat thanks to
the machinations of creepy surveillance agent C (Andrew Scott), leaving old
warhorses like M (Ralph Fiennes), Q (Ben Whishaw) and Bond himself facing the
scrapheap. Which, of course, doesn’t stop our James from speeding off to Rome,
Austria and north Africa on the trail of the titular band of assassins,
terrorists and all-round global troublemakers run by the literally shadowy
Franz Oberhauser (Christoph Waltz).
So far, so sleek and spellbinding: director Sam Mendes exercises complete
control over his material, Craig’s bruised bulldog charm is in full effect and
the visuals by crack cinematographer Hoyte van Hoytema are rich and ravishing.
But somewhere between the introduction of Léa Seydoux’s snappy but underwritten
Madeleine Swann and some antics in the Sahara that unpleasantly (and, we’d
assume, unintentionally) recall the climax of ‘Quantum of Solace’, the wheels
come rattling off this Aston Martin.
One major problem is a ridiculously unconvincing villain: the script attempts
to shoehorn a spot of ‘Skyfall’-style backstory between Bond and his enemy,
which sadly leaves the character looking more laughable than terrifying,
despite Waltz’s best efforts. And this is reflective of ‘Spectre’ as a whole:
in trying to do too much, the focus becomes lost. As the second half unfolds,
the absence of an emotional core becomes ever more glaring, hopping from one
action beat to the next without ever asking us to care – or, at times,
understand – what’s going on.
The result is an unbalanced but never less than entertaining film, enthralling
and deflating in roughly equal measure, and studded with moments of true,
old-school glory. If this is Craig’s farewell to the tux, he’s going out with a
whole string of very loud bangs.
Read our interview with Daniel Craig to find
out what he thought about the film.
By: Tom
Huddleston
Posted:
Wednesday October 21 2015
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